The 4-note 1235 pattern, also known as the Coltrane Pattern, is a sequence often used in jazz improvisation and composition. It involves taking a major scale and selecting the 1st, 2nd, 3rd, and 5th notes of that scale. This pattern is named after John Coltrane, who frequently used it in his solos and compositions, particularly in the context of playing over chord changes. How It Works: If you're in the key of C major, the 1235 pattern would be C (1), D (2), E (3), and G (5). Over a Dm7 chord, y
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The 4-note 1235 pattern, also known as the Coltrane Pattern, is a sequence often used in jazz improvisation and composition. It involves taking a major scale and selecting
The GuitarBaba. The GuitarBaba · Original audio. The 4-note 1235 pattern, also known as the Coltrane Pattern, is a sequence often used in jazz improvisation and composition. It involves taking a major scale and selecting the 1st, 2nd, 3rd, and 5th notes of that scale. This pattern is named after John Coltrane, who frequently used it in his ...
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ii-V-I idea in the key of E Minor. The Coltrane Pentatonic scale is used for the ‘V7’ tension and also for the ‘I Chord’ once resolved. Harmony: F#ø = A Melodic Minor B7alt = C Melodic Minor (C Coltrane Pentatonic) Em = E Melodic Minor (E Coltrane Pentatonic) Both Coltrane Pentatonic scales use the same pattern: Scale ascending in ‘3rds’ (3rd added below each note of scale to create the two note cells). As this is a 5 note pentatonic, playing ‘3rds’ from the scale produce various modern interval
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ii-V-I idea in the key of E Minor. The Coltrane Pentatonic scale is used for the ‘V7’ tension and also for the ‘I Chord’ once resolved. Harmony: F#ø = A Melodic Minor B7alt = C Melodic Minor (C Coltrane Pentatonic) Em = E Melodic Minor (E Coltrane Pentatonic) Both Coltrane Pentatonic scales use the same pattern: Scale ascending in ‘3rds’ (3rd added below each note of scale to create the two note cells). As this is a 5 note pentatonic, playing ‘3rds’ from the scale produce various modern interval
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